Download Cazuza mp3

Artist: Cazuza: mp3 download    Genre(s):  Latin     Discography:      Millennium: Cazuza    Year:     Tracks: 15 Vocalist of the number one Brazilian rock band Barão Vermelho and highly popular as a solo creative person, Cazuza left his personal mark on Brazilian music in cattiness of his early death, through and through his songs which go forward to be recorded by other artists. Son of the phonographic producer João Araújo and the amateur isaac Bashevis Singer Maria Lúcia Araújo, Cazuza always had fill up contact with music. Influenced since other puerility by the potent values of Brazilian euphony, he had a special preference for the sad, dramatic overtones of Cartola, Lupicínio Rodrigues, Dolores Durán, and Maysa. He began to write lyrics and poems around 1965. In late 1974, a vacation in London, England, acquainted him with the euphony of Led Zeppelin, Janis Joplin, and the Rolling Stones, and he shortly became a swell fan. Cazuza enrolled in college in 1978, only deserted the course of journalism three weeks later to work with his father at Som Livre. He affected later to San Francisco, where he came in contact with overreach literature, comme il faut highly influenced by it. In 1980 he returned to Rio, where he worked with the theatrical grouping Asdrúbal Trouxe o Trombone. There he was noticed by the tiro singer/composer Leo Jayme, wHO introduced him to a outset rock band that requisite a vocalist, the Barão Vermelho. With this ring, which would be the first of the Brazilian stone way, Cazuza gained popularity and experience, departing for his solo vocation in 1985. Motivated both by his involuntariness to portion the success and by the want of room for his MPB tendencies in Barão Vermelho, Cazuza base freedom in his first solo album Exagerado (Som Livre,1985), where the dramatic influence of Lupicínio Rodrigues is quite an evident. "Codinome Beija-Flor," the claim data track, "Mal Nenhum," and "Só As Mães São Felizas" evidenced sufficiency guts for a successful scuttle solo record album, even if the latter song was censored due to the use of profanity in an openly oedipal context. In 1986, Cazuza recorded Só Se For a Dois, but in that year Som Livre disbanded its lineup. The record album was released in the following yr through Philips, having a hit with "O Nosso Amor a Gente Inventa." That same year, Cazuza observed that he was suffering from AIDS. The next album, Ideologia, revealed fast-growing and combative lyrics, like the claim data track, "Boas Novas," "Blue devils da Piedade," and "Brasil." The album as well had a tune in bossa mode (even if harmonically it can't be silent as a bossa) which became a slay, "Faz Parte do Meu Show." "Brasil" remained an crucial score, having been re-recorded by many artists, including Gal Costa (in a version which was the theme song of the Rede Globo soap opera Valley Tudo). In 1987, Cazuza appeared in the film Um Trem Para as Estelas (Cacá Diegues). In October, 1988, Cazuza recorded springy at Canecão (Rio) the album Cazuza ao Vivo -- o Tempo Não Pára (Philips). In February of the next year, he was the number one Brazilian creative person to promulgate his condition publically. During a period of sore hospital routines, he recorded the depressive two-fold album Burguesia (which was released in August), coming into court in the Prêmio Sharp award ceremony in a wheelchair, where he was awarded with the prizes for the best record album, song, and video clip ("Federative Republic of Brazil"). In 1990, Lumiar publishing business firm released the deuce volumes of Songbook Cazuza. After his death, his mother founded the Sociedade Viva Cazuza in Rio, an organisation for the livelihood of children afflicted with AIDS, releasing her book Cazuza -- Só as Mães São Felizes (Globo, São Paulo, 1997). In 1995, Polygram released a four-CD box set containing the Grandes Nomes Series, and in 1997 Cássia Eller recorded an album consecrated to Cazuza's compositions, Veneno Antimonotonia.